Laura Lani DeAngelis

Laura Lani DeAngelisLaura Lani DeAngelisLaura Lani DeAngelisLaura Lani DeAngelis
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  • Works I
    • Temporal Body
    • New Monuments
    • Complex Residue
    • Displaced
    • Flow State
    • Collected in Woods County
  • Works II
    • To Herself
    • Residue
    • Hidden from Itself
    • Untitled
    • Complexities of Existence
  • About
  • Print Offerings

Laura Lani DeAngelis

Laura Lani DeAngelisLaura Lani DeAngelisLaura Lani DeAngelis
  • Home
  • Works I
  • Works II
  • About
  • Print Offerings

Temporal Body No.1

March 11, 2020 Sandstone 97" x 83.5" x 0.4"

Temporal Body no.1

(Durational wall painting installed March 11, 2020 - January 8, 2021)

Sandstone, Water

97" x 83.5" x 0.4"

Temporal Body no.1

(Durational wall painting installed March 11, 2020 - January 8, 2021)

Sandstone, Water

97" x 83.5" x 0.4"

Temporal Body removal performed by Laura DeAngelis on January 8, 2021. 

Temporal Body no.2

Temporal Body no.2

(Durational wall painting installed March 16, 2021 - June 9, 2021)

Sandstone, Water

86" x 87" x 0.3"

Temporal Body no. 2 

(Durational wall painting installed March 16, 2021 - June 9, 2021)

Sandstone, Water

86" x 87" x 0.3"

Temporal Body No.3

Temporal Body no.3 

(Durational wall painting installed May 29, 2021 - June 2, 2021)

Sandstone, Water

82" x 80" x .04"

Temporal Body no.3

Temporal Body no.3 

(Installation view at Mills College Art Museum for the 2021 MFA Thesis Exhibition)

Temporal Body No.4

Temporal Body no.4

(Durational wall painting installed August 22, 2021 - September 21, 2021.)

Sandstone, Water

Dimensions variable

Temporal Body no.4

(Durational wall painting installed August 22, 2021 - September 21, 2021.)

Sandstone, Water

Dimensions variable

Temporal Body no.4 

(Installation view for "Introductions 2021" at Root Division in San Francisco.)

Sandstone, Water

Dimensions variable

Deeply influenced by existential thought and psychology, I relate my practice to a meditation on being in the world. I source material from my immediate surroundings to better understand my relationship to time and place. I dig sandstone from the hillside and paint it on the wall in a circular form with water. The painting acquires new rings over the course of several days, an allusion to time, growth and materiality. As a meditation on the cyclical nature of life itself, the sandstone mandala draws the viewer into the physicality of the present moment before it is eventually chipped from the wall and returned to the earth. 

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